In 2008 Switzerland accorded to the UNESCO Convention for the Safeguarding of Intangible Cultural Heritage. Aiming to increase the public awareness of the diversity of Switzerland’s traditions it was decided to design an online inventory of important, still practiced and therefore so-called living (Swiss) traditions.
SLT won the pitch for the design of this online inventory. A first version of the website went online in late 2012.
Almost ten years later the Swiss state changed its web framework and its content management system. SLT was approached to propose an overhaul of the design, thus to cater for the new web framework and to reflect the changes in web design and of the user’s expectations since the launch of the first version. Until to date only (minor) parts of our proposal have been implemented.
The 2012 version
At the centre of the website is a list of selected Swiss traditions, which meet the criteria as defined by the UNESCO and decided upon by an appointed committee.
The UNESCO Convention knows five categories of living traditions: 1) oral expressions, 2) performing arts, 3) social practices, 4) knowledge concerning nature, 5) traditional craftsmanship. This categorisation served as a starting point for the design: A colour was assigned to each of these categories. This colour coding gave additional structure to the content. It further added a playful element to promote the idea of ‛living’ traditions.
For cost reasons the website had to be designed to work with the existing content management system and therefore be in line with the standard web layout structure of the Swiss state. To add a further challenge this given layout structure had to be translated into a responsive design. It was the first time the Swiss state made use of responsive design to cater for the increased web-traffic from mobile phones.
A redesign almost ten years later
Starting from the existing information architecture we proposed a more image/visual lead approach and a stronger emphasis on in-page navigation to better reflect today’s user expectations. The user interface is designed with a focus on improved modularity to increase constancy of presentation across different viewports and to allow for the development of modular and diverse entry points into the list of living traditions.
The previous colour-coding of the different categories of traditions was dropped for technical reasons. In return the suggested use of web-fonts makes it possible to implement a distinctive element of the existing visual identity, which up to this point had only been implemented in printed products.